Найти книгу: "Nature Speaks"

What does it mean to speak for nature? Contemporary environmental critics warn that giving a voice to nonhuman nature reduces it to a mere echo of our own needs and desires; they caution that it is a perverse form of anthropocentrism. And yet nature's voice proved a powerful and durable ethical tool for premodern writers, many of whom used it to explore what it meant to be an embodied creature or to ask whether human experience is independent of the natural world in which it is forged. The history of the late medieval period can be retold as the story of how nature gained an authoritative voice only to lose it again at the onset of modernity. This distinctive voice, Kellie Robertson argues, emerged from a novel historical confluence of physics and fiction-writing. Natural philosophers and poets shared a language for talking about physical inclination, the inherent desire to pursue the good that was found in all things living and nonliving. Moreover, both natural philosophers and poets believed that representing the visible world was a problem of morality rather than mere description. Based on readings of academic commentaries and scientific treatises as well as popular allegorical poetry, Nature Speaks contends that controversy over Aristotle's natural philosophy gave birth to a philosophical poetics that sought to understand the extent to which the human will was necessarily determined by the same forces that shaped the rest of the material world. Modern disciplinary divisions have largely discouraged shared imaginative responses to this problem among the contemporary sciences and humanities. Robertson demonstrates that this earlier worldview can offer an alternative model of human-nonhuman complementarity, one premised neither on compulsory human exceptionalism nor on the simple reduction of one category to the other. Most important, Nature Speaks assesses what is gained and what is lost when nature's voice goes silent.

Почему мы занимаемся сексом? Одной из главных причин, утверждает Ридли, является борьба с болезнью. Постоянно объединяя и рекомбинируя гены каждого поколения, "людские гены на шаг опережают организмы-паразиты", укрепляя тем самым устойчивость к бактериям и вирусам, которые вызывают смертельные заболевания или эпидемии. Теория "Красной Королевы", получившая название от имени шахматной фигуры в Зазеркалье Кэрролла, которая функционирует, не двигаясь с места, эта гипотеза является лишь одной из спорных идей, которые были изложены в этом остроумном, элегантном письменном исследовании. Ридли, лондонский ученый и бывший редактор Economist утверждает, что мужчины полигамны по той очевидной причине, что тот пол, которому приходится тратить больше времени и энергии на создание и воспитание потомства, будет стремится избежать дополнительных спариваний. Женщины, хотя и гораздо меньше заинтересованы в нескольких партнерах, будут прелюбодействовать, если окружены посредственными партнерами. По не совсем убедительному выводу Ридли даже свойства интеллекта завязаны на секс: артистизм, индивидуальность, изобретательность и связанные с этим черты, которые делают людей сексуально привлекательными.

Quite a number of books have been published about the zapovedniks of Russia (which are strictly protected State nature reserves) but so far most of those books have been scientific. There are very few colourful popular publications, which can be readily understood by a broad readership. The creators of this book have worked hard to make their contribution to fill this gap. The easy, narrative text immerses readers into the world of preserved nature, giving the feeling that they are travelling within those beautiful areas. At the same time one can get to know the history of the zapovedniks, which was often difficult and dramatic. However, it is not enough to merely read about nature. It is also essential for understanding to see that nature. The wonderful photographs of landscape and wildlife, taken by our leading nature photographers, also form a significant and exciting part of this book. The authors and publishers of this book believe that when readers see and understand the beauty of our Russian Nature Reserves – their forests, mountains and tundra; their steppelands and coastlines – they will feel at one with nature. Realising its riches, they will want to make their own contribution to the good cause of nature conservation.

Полный вариант заголовка: «Essai sur la nature, le but et les moyens de l'imitation dans les beaux arts / Par m. Quatremere de Quincy».

Полный вариант заголовка: «Lettre a m. Abel-Remusat sur la nature des formes grammaticales en general et sur le genie de la langue chinoise en particulier».

Примечание: Исследование о природе и причинах богатства народов. Полный вариант заголовка: «An inquiry into the nature and causes of the wealth of nations : In 3 vol. Vol. 3».