Найти книгу: "Mediating Multiculturalism"

Multiculturalism has been a topic of scholarly exploration for almost fifty years. Most recently, these explorations have sought to respond to growing public sentiment that the multicultural ideal, borne out of Western liberalism, has failed. Indeed, ‘multiculturalism is dead’ has been a popular catch cry in Anglo- and Western-European countries for the past decade. Significantly, the continued discussion about the success or otherwise of multiculturalism registers the topic as alive as ever (albeit in a mode of crisis) and one that shows no signs of disappearing. There are currently two main scholarly approaches to the so-called crisis of multiculturalism. The first approach retains the importance of multiculturalism by inflating and promoting its positive attributes. The second approach problematizes multiculturalism by retexturing its meaning and attempting to reconnect its political/theoretical domain with its ordinary manifestations. In some instances, the second approach renounces the concept of multiculturalism altogether, positioning it as a past phenomenon. Both approaches frequently mirror broader trends in cultural studies and artistic domains by turning to ‘the everyday’, using on-the-ground experiences as a tool to redefine the meaning of multiculturalism. But what work is done in the name of the everyday? Is ‘the everyday’ really a sanctioned, authentic space where cultural difference exists beyond the State? These are questions that neither approach takes seriously nor appropriately addresses.  This modern book addresses this oversight by taking the everyday of everyday multiculturalism to task and doing so via the increasingly popular and everyday medium: digital storytelling. The ‘digital’ is an important node of analysis, not only because it has so far been overlooked in studies of everyday multiculturalism, but because its immateriality often affords it a distance from critical analyses pertaining to material effects. This book forefronts the materiality of digital storytelling by closely considering how the genre enables racialization to manifest at the level of the body. How does the genre compel the creators of digital stories to embody and/or reject racialized structures associated with concepts of multiculturalism? What do these stories tell us about the way multiculturalism is mediated and, importantly, how it might be re-mediated? As we enter an era of unprecedented global mobility, discussions pertaining to cultural difference and the systems used to negotiate it become more frequent and more complex. This book makes a timely intervention into these discussions to both consolidate and reimagine the rocky terrain of multiculturalism, providing a valuable resource for scholars in cultural studies, media and internet studies, and ethnic and race studies. Additionally, the book provides a foundation for rethinking digital narrative production pertaining to cultural difference, giving it a practical purpose for educators and digital practitioners alike.

Multiculturalism is controversial in the liberal state and has frequently been declared dead, even in countries that have never had a policy under that name. This authoritative book reviews the different meanings multiculturalism has acquired across theories, countries, and domains to evaluate the extent of its demise and the ways in which it lives on. Christian Joppke intriguingly argues that, beyond the ebb and flow of policy, liberal constitutionalism itself bears out a multiculturalism of the individual that is not only alive but necessary in a liberal society. Through a provocative comparison of gay rights in the United States and the accommodation of Islam in Europe, he shows that liberal constitutionalism constrains majority power, requiring the state to be neutral about people's values and ethical commitment. It cannot but give rise to multiple ways of life or cultures, as people are endowed with the freedom to embrace them. Accordingly, impulses toward multiculturalism persist, despite its political crisis, but with a new accent on the individual, rather than group, as the unit of integration. Tightly argued and clearly written, this book provides a judicious assessment of multiculturalism in the West and will be of interest to a broad readership across the social sciences and legal studies.

Sometimes it's necessary to push beyond the usual limits of the mediation process to achieve deeper and more lasting change. Mediating Dangerously shows how to reach beyond technical and traditional intervention to the outer edges and dark places of dispute resolution, where risk taking is essential and fundamental change is the desired result. It means opening wounds and looking beneath the surface, challenging comfortable assumptions, and exploring dangerous issues such as dishonesty, denial, apathy, domestic violence, grief, war, and slavery in order to reach a deeper level of transformational change. Mediating Dangerously shows conflict resolution professionals how to advance beyond the traditional steps, procedures, and techniques of mediation to unveil its invisible heart and soul and to reveal the subtle and sensitive engine that drives the process of personal and organizational transformation. This book is a major new contribution to the literature of conflict resolution that will inspire and educate professionals in the field for years to come.

Media practices and the everyday cultures of transnational migrants are deeply interconnected. Mediating Migration narrates aspects of the migrant experience as shaped by the technologies of communication and the social, political and cultural configurations of neoliberal globalization. The book examines the mediated reinventions of transnational diasporic cultures, the emergence of new publics, and the manner in which nations and migrants connect. By placing migration and media practices in the same frame, the book offers a wide-ranging discussion of the contested politics of mobility and transnational cultures of diasporic communities as they are imagined, connected, and reproduced by various groups, individuals, and institutions. Drawing on current events, activism, cultural practices, and crises concerning immigration, this book is organized around themes – legitimacy, recognition, publics, domesticity, authenticity – that speak to the entangled interconnections between media and migration. Mediating Migration will be of interest to students in media, communication, and cultural studies. The book raises questions that cut across disciplines about cutting-edge issues of our times – migration, mobility, citizenship, and mediated environments.

Multiculturalism and Diversity focuses on the ways in which history and identity inform each other, and examines the politics of culture as well as the politics of cultural identities within the U.S. Illustrates the basic proposition that each of us is a unique multicultural human being and that culture affects individual self-definition, experience, behavior, and social interaction Moves from early simple definitions of multiculturalism to more complex understandings focused on culture as learned, teachable (shared), and fluid Uses a critical approach to the study of culture and personal identity that is informed by historical and social factors and an appreciation of their interaction Examines the various cultural threads within the mosaic of a person’s multicultural self such as sexual identity, gender, social class, and ethnicity

Multiculturalism in Global Society explores the concepts and debates surrounding the complex modern phenomenon of multiculturalism, and its varied effects on the advanced industrial nations of the world. With remarkable clarity and concision, it focuses on the interrelated ties of ethnicity, race, and nationalism in a world where globalizing processes have made such ties increasingly important in economic, political, and cultural terms. Students and scholars looking for the most up-to-date approach to understanding multiculturalism in a global perspective will find this to be an engaging, penetrating, and illuminating text.