Найти книгу: "Earnings and Quality of Female Labor in the Border Areas of Viet Nam and Implications for Greater Mekong Subregion Cooperation"

This series features the scholarly works supported by the Phnom Penh Plan for Development Management, a region-wide capacity building program of the Asian Development Bank that supports knowledge products and services. It seeks to disseminate research results to a wider audience so that policy makers, implementers, and other stakeholders in the Greater Mekong Subregion can better appreciate and understand the breadth and depth of the region's development challenges.

Erotic Ambiguities explores how feminist artists have responded to traditional depictions of the "ideal female body" which proliferate throughout contemporary visual culture. Across photography, fashion, painting and performance art, McDonald shows how feminist artists have employed the idea of ambiguity to counter negative images of women and to dismantle the elusive classical ideal enshrined in "the nude." Examining the work of key artists from Barbara Kruger, Judy Chicago, and Mary Duffy, to Zoe Leonard, Tracey Moffat, Pat Barrington and Sally Smart, McDonald traces the shift in feminist art practices from the early deconstruction of patriarchal representations to the more ambivalent contemporary practices.

As part of the dynamics of international economic cooperation by the need for mutual settlement operations, so the problem of organization of settlements is an important place for the economically active subjects, especially in a globalized economic space in the functioning of transnational structures and scale of the export, import and international financial transactions. In agreeing on the order of calculations, the participants determined the form of payment in order to fulfill the financial obligations of the agreement – regulated by means of voluntary compliance through a credit institution liabilities, characterized by specific features on the order of transfer of funds to the account, a certain kind of settlement document, as well as office procedures. The source of payment relations is the need to have one contractor expressed in the appropriate disposition, the other in shortage. This relationship gives rise as a consequence of the relationship with the lending institution. Need to accession will intensify in the subjects of international payment relationship.

The book is a collection of papers presented at the conference «Russia and Norway: Physical and Symbolic Borders» held in St Petersburg in April 2005 in connection with the opening of the exhibition «Norway – Russia. Neighbours through the ages». In the book different aspects of the history of the Norwegian-Russian border are covered by historians from Moscow, St Petersburg, Arkhangelsk, Copenhagen, Cambridge, Bergen and Tromso. The papers are diverse and refer to different chronological periods. One group of articles deals with problems connected with the medieval border treaties between Norway and Novgorodian Russia, others with the diplomatic history of the border convention of 1826, as well as its effect on ethnic minorities living in the border area. One author addresses the present-day delimitation controversy between Norway and Russia in the Barents Sea. Other articles deal with symbolic borders, for example, barriers in translating Russian literature into Norwegian, and borders between the two cultures, experienced by the Russian emigrants in Norway after the Russian Revolution. And finally, there are articles without explicit references to the concept of borders, where the authors investigate in more general terms different aspects of Norwegian-Russian relations.

«Молись и работай» – таков был девиз монахов Ордена Святого Венедикта Нурсийского и юного послушника Иакова. Но неокрепшее сердце юноши жаждет впечатлений, а мятущийся ум ищет ответы и толкует всё в меру своих возможностей. Иногда жизнь тревожит. Иногда – откровенно пугает. Но прилежный послушник сносит всё, принимая как должное, без ропота и непослушания. Ровно до тех пор, пока в стенах монастыря не появляется загадочный незнакомец Конрад.