Найти книгу: "Walter"

Walter Kovak – insurance worker, early forties, unhappily married, no children, memorably invisible – is the sole survivor of a devastating suburban train crash. But Walter has no memory of the tragedy.<br /> <br />One year on he starts to receive mysterious random warnings from strangers – warnings that could again save his life. And his memory of the fateful day begins to return.<br /> <br />Ashley Sievwright lives, works and writes in Melbourne. His first novel, <i>The Shallow End</i>, was shortlisted for the Commonwealth Writers' Prize Best First Book in 2009.<br /> <br />Reviews of <i>The Shallow End</i>:<br />'<i>… an impressively fresh voice in Australian fiction… The Shallow End is a little gem of a novel and deserves to be widely read.</i>' – <b>The Canberra Times</b><br />'<i>Both witty and easy to read… filled with moments of droll sagacity… evocative prose and cynical humour are Sievwright's strengths…</i>' – <b>Australian Book Review</b>

Полный вариант заголовка: «Memoir of the life and character of Walter Venning, Esq. : a member of the Committee of the London Society for the improvement of prison discipline, etc. : who died at St. Petersburg, Januery 10-th, 1821, from a fever contracted in visiting one of the gaols of that city / by Richard Knill ; with a preface by Robert Winter».

Walter Benjamin (1892-1940), one of the most original and perceptive thinkers of the twentieth century, offered a unique insight into the profound impact of the media on modern society. Jaeho Kang’s book offers a lucid introduction to Benjamin’s theory of the media and its continuing relevance today. The book provides a systematic and close reading of Benjamin’s critical and provocative writings on the intersection between media – from print to electronic – and modern experience, with reference to the information industry, the urban spectacle, and the aesthetic politics. Bringing Benjamin’s thought into a critical constellation with contemporary media theorists such as Marshall McLuhan and Jean Baudrillard, the book helps students understand the implications of Benjamin’s work for media studies today and how they can apply his distinctive ideas to contemporary media culture. Kang’s book leads to a fresh appreciation of Benjamin’s work and new insight into critical theoretical approaches to media. The book will be of particular interest to students and researchers not only in media and communication studies but also in cultural studies, film studies and social theory, who are seeking a readable overview of Benjamin’s rich yet complex writings.