Найти книгу: "Dagur Kari's Noi the Albino"

Dagur Kari�s Noi the Albino (Noi albinoi, 2003) succeeded on the international festival circuit as a film that was both distinctively Icelandic and appealingly universal. Noi the Albino taps into perennial themes of escapism and existential angst, while its setting in the Westfjords of Iceland provided an almost surreal backdrop whose particularities of place are uniquely Icelandic. Bjorn Nordfjord�s examination of the film integrates the broad context and history of Icelandic cinema into a close reading of Noi the Albino�s themes, visual style, and key scenes. The book also includes an interview with director Dagur Kari.Noi the Albino�s successful negotiation of the tensions between the local and the global contribute to the film�s status as a contemporary classic. Its place within the history of Icelandic cinema highlights the specific problems this small nation faces as it pursues its filmmaking ambitions, allowing us to appreciate the remarkable success of Kari�s film in relation to the challenges of transnational filmmaking.

[i]The Legend of the Albino Farm is a horror story turned inside out. What if a thriving family were saddled with an unshakable spook tale? And what if that lore cursed them with an unending whirlwind of destruction from thrill seekers, partiers, bikers, and Goths? Hettienne Sheehy is about to inherit this devouring legacy. Last child to bear a once golden name, she is heiress to a sprawling farm in the Missouri Ozarks. During summer, childhood idylls in the late 1940s, Hettienne has foreseen all this apocalyptic fury in frightening, mystifying visions. Haunted by a whirling augury, by a hurtful spook tale, and by a property that seems to doom all who would dare own it, in the end, Hettienne will risk everything to save the family she truly loves.The Legend of the Albino Farm has haunted two generations of Sheehys and marred all memory of the family’s glory days. Worse, this spooky lore now draws revelers, druggies, motorcycle gangs, hippies, and later Goths to trample the land, set bonfires, and vandalize its structures, all while Hettienne’s aged aunts cling to privacy, sanity, and a rapidly deteriorating thirteen-room mansion..From her youth, throughout her marriage and her rearing of her children, the Legend of the Albino Farm and the curse of the Sheehys drag at her and her family like a vortex. Haunted by a whirling augury, by a hurtful spook tale, and by a relentlessly judgmental Ozarks city, in the end, Hettienne believes she must make decisions that might compromise her family’s financial security but will severe them from an ever more dangerous legacy.