Найти книгу: "Iceland Imagined"

Iceland, Greenland, Northern Norway, and the Faroe Islands lie on the edges of Western Europe, in an area long portrayed by travelers as remote and exotic – its nature harsh, its people reclusive. Since the middle of the eighteenth century, however, this marginalized region has gradually become part of modern Europe, a transformation that is narrated in Karen Oslund’s Iceland Imagined .This cultural and environmental history sweeps across the dramatic North Atlantic landscape, exploring its unusual geography, saga narratives, language, culture, and politics, and analyzing its emergence as a distinctive and symbolic part of Europe. The earliest visions of a wild frontier, filled with dangerous and unpredictable inhabitants, eventually gave way to images of beautiful, well-managed lands, inhabited by simple but virtuous people living close to nature.This transformation was accomplished by state-sponsored natural histories of Iceland which explained that the monsters described in medieval and Renaissance travel accounts did not really exist, and by artists who painted the Icelandic landscapes to reflect their fertile and regulated qualities. Literary scholars and linguists who came to Iceland and Greenland in the nineteenth century related the stories and the languages of the “wild North” to those of their home countries.

From the 11th-century, when one commentator claimed the capital was being overrun with Moors, to the garage MCs and street poets of today – this book tells the story of life in London for black and Asian people from the 17th-century until today.‘London Calling’ tells the story of black and Asian literary London, tracing the escapades, fortune making, and self-expansion of these forgotten writers. It is a joyful and often rapturous work, a love letter to the capital, a teeming and complex mix of social and cultural history seen through the imagination and experience of great black and Asian writers. ‘London Calling’ gets to the heart of the immigration impulse, and evokes the dreams and adventures of those who have sought refuge and asylum in the cradle of Empire.The book is populated by runaway slaves, lotharios, imams, boxer-pimps, rajahs and colonial revolutionaries, and discusses writers as diverse in style and time as the 18th-century grocer-aesthete Ignatius Sancho right through to Rushdie, Kureishi and yardie chronicler Victor Headley. The result is an exciting work, brimming with life, as it spotlights a rich but neglected literary tradition, and brings to life a gaping void in the city’s history. Placing the multiculturalism of today’s capital in its historical context, Sukhdev Sandhu shows that it is no new phenomenon, and that just as London has been the making of many black writers, they too have been the making of London.

The fascinating history of the male-only members of the Kit-Cat Club, the unofficial centre of Whig power in 17th century Britain, and home to the greatest political and artistic thinkers of a generation.The Kit-Cat Club was founded in the late 1690s when London bookseller Jacob Tonson forged a partnership with pie-maker Christopher (Kit) Cat. What began as an eccentric publishing rights deal – Tonson paying to feed talented young writers and receiving first option on their works – developed into a unique gathering of intellects and interests, then into an unofficial centre of Whig power during the reigns of William & Mary, Anne and George I.With consummate skill, Ophelia Field portrays this formative period in British history through the club's intimate lens. She describes the vicious Tory-Whig 'paper wars' and the mechanics of aristocratic patronage, the London theatre world and its battles over sexual morality, England's Union with Scotland and the hurly-burly of Westminster politics.Among the club's most prominent members were William Congreve, one of Britain's greatest playwrights; Joseph Addison and Richard Steele, authors of the Tatler and Spectator, who raised English prose to new heights; and John Vanbrugh, a versatile genius whose architecture remains some of the most ambitious in Britain.Field expertly unravels the rivalry, friendships and fortunes lost and found through the club, interspersed with vivid descriptions of its alcohol-fuelled, all-male meetings. Tracing the Kit-Cat Club's far-reaching influence for the first time, this group biography illuminates a period when the British were searching for, and just beginning to find, a new national identity.

This major survey of Old Norse-Icelandic literature and culture demonstrates the remarkable continuity of Icelandic language and culture from medieval to modern times. Comprises 29 chapters written by leading scholars in the field Reflects current debates among Old Norse-Icelandic scholars Pays attention to previously neglected areas of study, such as the sagas of Icelandic bishops and the fantasy sagas Looks at the ways Old Norse-Icelandic literature is used by modern writers, artists and film directors, both within and outside Scandinavia Sets Old Norse-Icelandic language and literature in its wider cultural context

From runic inscriptions to sagas, this book introduces readers to the colourful world of Old Norse-Icelandic literature. An introduction to the colourful world of Old Norse-Icelandic literature. Covers mythology and family sagas, as well as less well-known areas, such as oral story-telling, Eddaic verse and skaldic verse. An introduction helps readers to appreciate the language and culture of the first settlers in Iceland. Looks at the reception of Old-Norse-Icelandic literature over the ages, as views of the vikings have changed. Shows how a whole range of authors from Shakespeare to Seamus Heaney have been influenced by Old Norse-Icelandic literature.