Найти книгу: "Because I Couldn't Kill You"

Koopman brilliantly wades through the flotsam and jetsam of generations, among shipwrecks and sunken treasures in an attempt at familial and collective healing. She faces up against her insecurities as a brown relatively privileged 'elder millennial'. An artist, a daughter, a queer woman in love, she is in pursuit of healing and always and forever trying to lose that last 5kgs to the great disappointment of her feminist self.

How to apply digital writing skills effectively in the classroom, from the prestigious National Writing Project As many teachers know, students may be adept at text messaging and communicating online but do not know how to craft a basic essay. In the classroom, students are increasingly required to create web-based or multi-media productions that also include writing. Since writing in and for the online realm often defies standard writing conventions, this book defines digital writing and examines how best to integrate new technologies into writing instruction. Shows how to integrate new technologies into classroom lessons Addresses the proliferation of writing in the digital age Offers a guide for improving students' online writing skills The book is an important manual for understanding this new frontier of writing for teachers, school leaders, university faculty, and teacher educators.

Climbing – Philosophy for Everyone presents a collection of intellectually stimulating new essays that address the philosophical issues relating to risk, ethics, and other aspects of climbing that are of interest to everyone from novice climbers to seasoned mountaineers. Represents the first collection of essays to exclusively address the many philosophical aspects of climbing Includes essays that challenge commonly accepted views of climbing and climbing ethics Written accessibly, this book will appeal to everyone from novice climbers to seasoned mountaineers Includes a foreword written by Hans Florine Shortlisted for the Boardman Tasker Prize for Mountain Literature, 2010

The latest book by Greg Behrendt, author of the multi-million plus copy bestseller ‘He’s Just Not That Into You’, is another hilarious, wry and wise take on relationships and how to move on when one goes sour.‘He's Just Not That Into You’ is more than a book. It's a revolution. The phrase, coined by Behrendt for an episode of ‘Sex and the City’, has now entered the language: it features in ads, it’s referred to in newspaper headlines and it has spawned spin-off spoof books and more.‘It's Called A Break-up Because It’s Broken’ promises to do this and more. It will help you get over anyone and move on. Behrendt's voice is unique – combining tell-it-like-it-is advice with humour and the 'guy's eye view'. The book is filled with solid advice to help you let go of your ex – for example: 'It's 3 am, the bottle of wine is empty, do you really want to make that call?'Each insightful chapter is complemented with a Q-and-A with Greg on what he's thinking, case studies, and games. Greg and Amiira tackle tough issues such as break-up sex, how not to lose your friends during a break-up, and 10 great places to cry. It's the ultimate read and reference for anyone who has ever been in a relationship.

Debbie Purdy doesn't want to die. She has far too much to live for. But when the time comes, and the pain is so unbearable that she cannot go on, she wants her husband to be by her side, holding her hand until the end; and she wants to know that he won't be arrested.Debbie Purdy – the face of Britain's right-to-die campaign – suffers from multiple sclerosis. She was diagnosed in 1995 – barely a month after she met her now-husband, Omar Puente, in a bar in Singapore. Within weeks she flew back out to meet Omar and, despite her devastating diagnosis, their relationship grew, as together they travelled Asia doing all the things they loved. When Debbie's health left her no choice but to go back to the UK, Omar followed. They married in 1998.But since the death in 2002 of motor neurone disease sufferer Diane Pretty, who lost her legal battle to have her husband help her take her own life, there has been dark cloud on the horizon for Debbie. She is in pain all the time, with poor circulation, headaches, bed sores and muscle cramps. Once or twice a week, she falls in the shower, presses her panic button and waits for complete strangers to come and help. People pity Debbie, saying she must feel undignified. She disagrees. The only thing she thinks is undignified is having no control over her life or death.When the pain becomes unbearable Debbie wants to be able to choose to end her life, surrounded by her loved ones. In England and Wales this is considered assisting suicide – a crime punishable by up to 14 years imprisonment. Debbie fears as a black foreigner Omar is more likely to face prosecution. All she wants is for the law to be clarified. Then she can make sure Omar never crosses the line.At the end of July 2009 Debbie's long fight was finally rewarded with a court ruling that the current lack of clarity is a violation of the right to a private and family life, and the Director of Public Prosecutions being ordered to issue clear guidance on when prosecutions can be brought in assisted suicide cases, bringing hope and reassurance thousands nationwide.Now, with passion and honesty, Debbie shares her unique story. Told with the joie-de-vivre and grace for which she has become known, Debbie describes her life and her battle.

A sinister Gothic tale in the tradition of The Woman in Black and The Fall of the House of UsherNew England, The 1890sWhen a young doctor begins work at an isolated mental asylum, he is expected to fall in with the shocking regime for treating the patients. He is soon intrigued by one patient, a strange amnesiac girl who is fascinated by books but cannot read. He embarks upon a desperate experiment to save her but when his own dark past begins to catch up with him, he realises it is she who is his only hope of escape.In this chilling literary thriller from a master storyteller, everyone has something to hide and no one is what they seem.