Найти книгу: "Ornamentets bok : en samling stilfulla ornament fran alla konstperioder : Ч. 1 "

Перед вами альбом из серии "Библиотека орнаментов", которая содержит тысячи вариантов стилизованных орнаментов. Данный альбом представляет орнаменты в стиле Арт Нуво или, как его называют во Франции и Бельгии, в стиле 1900 года, в Италии - в стиле Свободы или Флореаля. Авторы этих орнаментов не известны широкой аудитории, но их следует назвать, это - Гектор Гимар, Эжен Грассе, Морис Пилар Верней, Вильям Моррис, Эмиль Галле, Обре Бердслей и другие. Содержит многочисленные чёрно-белые иллюстрации. И еще одна аннотация: Полное собрание графических орнаментов в стиле "модерн". Содержит различные элементы для оформления - всего, чего захотите: фантазия "арт-нуво" безгранична. Впервые - орнаменты напечатаны на матовой бумаге

Полный вариант заголовка: «Rural architecture, or a series of designs for ornamental cottages / by P.F. Robinson».

Once condemned by Modernism and compared to a ‘crime’ by Adolf Loos, ornament has made a spectacular return in contemporary architecture. This is typified by the works of well-known architects such as Herzog & de Meuron, Sauerbruch Hutton, Farshid Moussavi Architecture and OMA. There is no doubt that these new ornamental tendencies are inseparable from innovations in computer technology. The proliferation of developments in design software has enabled architects to experiment afresh with texture, colour, pattern and topology. Though inextricably linked with digital tools and culture, Antoine Picon argues that some significant traits in ornament persist from earlier Western architectural traditions. These he defines as the ‘subjective’ – the human interaction that ornament requires in both its production and its reception – and the political. Contrary to the message conveyed by the founding fathers of modern architecture, traditional ornament was not meant only for pleasure. It conveyed vital information about the designation of buildings as well as about the rank of their owners. As such, it participated in the expression of social values, hierarchies and order. By bringing previous traditions in ornament under scrutiny, Picon makes us question the political issues at stake in today’s ornamental revival. What does it tell us about present-day culture? Why are we presently so fearful of meaning in architecture? Could it be that by steering so vehemently away from symbolism, contemporary architecture is evading any explicit contribution to collective values?

Marine ornamental shrimp are amongst the most heavily traded invertebrate species in the aquarium industry. The majority of traded species are still collected from the wild, having a major effect on ocean ecosystems. An increase in the amount of culture of these species is now a major priority for those in the trade and for marine conservationists. Marine Ornamental Shrimp provides a global overview of the biology, culture and conservation of the major families of marine ornamental shrimp. Coverage in this thorough volume includes ecological aspects, reproductive biology, major techniques used in culture systems for maturation, larviculture, and juvenile growth, and details of the main conservation issues surrounding these important species including a discussion of the negative aspects of wild specimen collection and the ongoing efforts to mitigate such impacts. Marine Ornamental Shrimp is an important and extremely timely publication which will be an essential reference and manual for all those involved in the trade and culture of marine ornamental species, including aquaculture scientists and personnel in aquaria. Conservation biologists and invertebrate zoologists will also find much of importance within this book. Libraries in all universities and research establishments where aquaculture and biological sciences are studied and taught should have copies of this book on their shelves.

Цель этой книги – познакомить читателя с теми элементами киргизского орнамента, которые уже не используются современными мастерицами. Надо признать, что искусство вышивки ныне не популярно в народе, так как очень трудоемко: для изготовления вещи даже небольшого размера требуется много времени. Мастерицы в давние времена тратили не менее месяца на вышивку тушкийиза – настенного панно, изготовлявшегося к свадьбе и помещавшегося потом около супружеского пространства. Именно этот вид вышивок занимает в альбоме ведущее место.