Найти книгу: "The Ancients and the Postmoderns"

Fredric Jameson sweeps from the Renaissance to The Wire High modernism is now as far from us as antiquity was for the Renaissance. Such is the premise of Fredric Jameson’s major new work in which modernist works, this time in painting (Rubens) and music (Wagner and Mahler), are pitted against late-modernist ones (in film) as well as a variety of postmodern experiments (from SF to The Wire, from “Eurotrash” in opera to Altman and East German literature): all of which attempt, in their different ways, to invent new forms to grasp a specific social totality. Throughout the historical periods, argues Jameson, the question of narrative persists through its multiple formal changes and metamorphoses.

Полный вариант заголовка: «An historical disquisition concerning the knowledge which the ancients had of India : and the progress of trade with that country prior to the discovery of the passage to it by the Cape of Good Hope : with an appendix, containing observations on the civil policy – the laws and the judicial proceedings – the arts – the sciences – and religious institutions, of the Indians / by William Robertson, D.D.F.R.S. Ed.».

The night elf defenders, led by the young druid, Malfurion Stormrage, and the wizard, Krasus, fight a desperate battle to hold back the Legion's terrible onslaught. Though only embers of hope remain, an ancient power has risen to aid the world in its darkest hour. The dragons – led by the powerful Aspect, Neltharion – have forged a weapon of incalculable power: the Dragon Soul, an artifact capable of driving the Legion from the world forever. But its use may cost far more than any could have foreseen.