Найти книгу: "Cinema, Emergence, and the Films of Satyajit Ray"

Although revered as one of the world’s great filmmakers, the Indian director Satyajit Ray is described either in narrowly nationalistic terms or as an artist whose critique of modernity is largely derived from European ideas. Rarely is he seen as an influential modernist in his own right whose contributions to world cinema remain unsurpassed. In this benchmark study, Keya Ganguly situates Ray’s work within the internationalist spirit of the twentieth century, arguing that his film experiments revive the category of political or «committed» art. She suggests that in their depictions of Indian life, Ray’s films intimate the sense of a radical future and document the capacity of the image to conceptualize a different world glimpsed in the remnants of a disappearing past.

Every serious course contains a textbook and a problem-solving book. This is a solving-problems book after textbook named “Human Being Theory (for Dummies)”. Author analyzes 15 selected films (1994—2016) using concepts of levels and temperaments from the textbook.

In this sequel book author analyzes 15 films (1993—2016) with his own instruments of analysis. He uses concept of levels described in the book «Human Being Theory (for Dummies)». You may consider it as a «theory-and-practice of everyday life’s psychological analysis for everybody».

In this sequel book author analyzes 15 films (1988—2016) with his own instruments of analysis. He uses concept of levels described in the book «Human Being Theory (for Dummies)». You may consider it as a «theory-and-practice of everyday life’s psychological analysis for everybody».

Crime knows no boundaries, does not distinguish between rich and poor, family members or acquaintances. Murders committed by public and socially held personalities are no different from crimes of unknown individuals of the human race. Celebrity killers: Elena Berkova, Laura Bush, Oscar Pistorius, Robert Wagner, Michael Jace, Alexei Kabanov and many others.

Unraveling French Cinema provides a much needed introduction to the complexities of French film for students, cineastes, and the movie-loving public. Looks at the differences between French and American national cinema Explores how French directors shape their films around two potentially divergent goals: the narration of a story and an elaboration of some theory about film itself. Demystifies the «difficulty» of French cinema, allowing the American movie-goer to enjoy films that are too often perplexing at a first viewing. Offers extended analyses of classic, New Wave, and contemporary French films—including L'Atalante, Adele H., The Rules of the Game, and Cache.