Найти книгу: "Collaborative Intimacies in Music and Dance"

Across spatial, bodily, and ethical domains, music and dance both emerge from and give rise to intimate collaboration. This theoretically rich collection takes an ethnographic approach to understanding the collective dimension of sound and movement in everyday life, drawing on genres and practices in contexts as diverse as Japanese shakuhachi playing, Peruvian huayno, and the Greek goth scene. Highlighting the sheer physicality of the ethnographic encounter, as well as the forms of sociality that gradually emerge between self and other, each contribution demonstrates how dance and music open up pathways and give shape to life trajectories that are neither predetermined nor teleological, but generative.

A university student is forced, by his lack of funds, to take the only lodging he can afford. In a strange part of the city he had never seen before, on a street named "Rue d'Auseil", he finds an apartment in an almost empty building. One of the few other tenants is an old German man named Erich Zann. The old man is mute and plays the viol with a local orchestra. He lives on the top floor and when alone at night, plays strange melodies never heard before.

Примечание: Очерк о музыкальной гармонии. Полный вариант заголовка: «An essay on musical harmony : according to the nature of that science and the principles of the greatest musical authors / by Augustus Frederic Christopher Kollmann».

Полный вариант заголовка: «Memoires et correspondance litteraires, dramatiques et anecdotiques de C. S. Favart : T. 2 : et precedes d'une notice historique / publ. par A. P. C. Favart... et precedes d'une notice historique, redigee sur pieces authentiques et originales par H. F. Dumolard».

Полный вариант заголовка: «Memoires et correspondance litteraires, dramatiques et anecdotiques. Tome 3 / de C.S. Favart ; publies par A.P.C. Favart, son petit-fils ; et precedes d'une notice historique, redigee sur pieces authentiques et originales par H.F. Dumolard».