Найти книгу: "God of Love and God of Judgement"

How can a God of love also be a God of judgment? If God loves everyone, what is the point of judgment? Does God change from being wrathful in the Old Testament to loving in the New Testament? Can we discern God's judgments in current events, such as hurricanes and personal tragedies? Is it ever right for humans to judge? These are not just daunting issues for theologians to ponder. They are urgent questions for everyone. Our answers profoundly affect how we relate to God and how we live with one another. Coming to grips with these issues is vital for our spiritual journeys.
Many people today emphasize God's love and downplay his judgment. The problem with this approach is that God's judgment is taught in Scripture from the beginning of Genesis to the end of Revelation, and it is a core part of the gospel preached by Jesus and his apostles. There are problems at the other end of the spectrum too, when we believe in a God of judgment who is not also a God of love. It is impossible for us to find spiritual peace when we live in constant dread of God, pictured as a harsh judge whom we can never please. This book calls us to embrace a more full, biblical image of God–one that joins his love and judgment together. Additionally, the book shows that, as those who are made in God's image, we can fuse love and judgment together constructively in our own daily lives.

Witty Italian art-history crime series featuring English dealer Jonathan Argyll, from the author of the best-selling literary masterpiece, ‘An Instance of the Fingerpost’.Paris can do strange things to a man's mind… like making him agree to an apparently harmless favour of escorting a picture to Rome.‘The Death of Socrates’ is a particularly nondescript piece, so art dealer Jonathan Argyll can sympathize when its recipient refuses to accept delivery. But in an unusual twist, the same man is found dead a few hours later. Surely the painting wasn't that bad?Now caught up in a murder investigation, Jonathan recalls an attempt to steal the artwork while he was at the train station. Could this be the killer? The bodies start piling up and Jonathan must uncover the dark wartime secret at the heart of the mystery – before someone puts him out of the picture for good.

The second novel in Andrew Taylor’s ground-breaking Roth trilogy, which was adapted into the acclaimed drama Fallen Angel. A haunting thriller for fans of S J Watson.It is 1970. David Byfield, a widowed parish priest with a dark past and a darker future, brings home a new wife to Roth. Throughout the summer, the consequences of the marriage reverberate through a village now submerged in a sprawling London suburb.Blinded by lust, Byfield is oblivious to the dangers that lie all about him: the menopausal churchwarden with a hopeless passion for her priest; his beautiful, neglected teenage daughter Rosemary; and the sinister presence of Frances Youlgreave – poet, opium addict and suicide – whose power stretches beyond the grave.Soon the murders and blasphemies begin. But does the responsibility lie in the present or the past? And can Byfield, a prisoner of his own passion, break through to the truth before the final tragedy destroys what he most cherishes?