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Idolatry in the Pentateuch addresses both the manner in which the Pentateuch was produced and how theological intentions can be discerned from the texts that constitute it. McKenzie attempts to read the final shape of the Pentateuch while not ignoring the diachronic complexities within its pages. Using a compositional approach to the Pentateuch, he establishes his methodology, analyzes several idolatry-related texts, and traces the theological intentions through an inner-textual strategy. Moreover, McKenzie briefly considers the history of interpretation through the last few centuries and discusses the state of Old Testament studies as he understands it.

A cutting-edge scholarly review of how the Pentateuch functions as a scripture, and how it came to be ritualized in this way. Understanding the Pentateuch as a Scripture is a unique account of the first five books of the Bible, describing how Jews and Christians ritualize the Pentateuch as a scripture by interpreting it, by performing its text and contents, and by venerating the physical scroll and book. Pentateuchal studies are known for intense focus on questions of how and when the first five books of the Bible were composed, edited, and canonized as scripture. Rather than such purely historical, literary, or theological approaches, Hebrew Bible scholar James W. Watts organizes this description of the Pentateuch from the perspectives of comparative scriptures and religious studies. He describes how the Pentateuch has been used in the centuries since it began to function as a scripture in the time of Ezra, and the origins of its ritualization before that time. The book: Analyzes the semantic contents of the Pentateuch as oral rhetoric that takes the form of stories followed by lists of laws and sanctions Gives equal space to its ritualization in the iconic and performative dimensions as to its semantic interpretation Fully integrates the cultural history of the Pentateuch and Bible with its influence on Jewish and Christian ritual, and in art, music, theatre, and film Understanding the Pentateuch as a Scripture is a groundbreaking work that highlights new research data and organizes the material to focus attention on the Pentateuch’s—and Bible’s— function as a scripture.

Reason and Mystery in the Pentateuch is grounded in the faith that the following related truths are self-evident: God revealed to Moses two works, known together as the Torah. The first work is the Pentateuch (the Written Law), revealed as a book consisting mainly of a sacred history and a codex. The second work is the Mishnah (the Oral Law), an elucidation of the codex transmitted orally through many generations, then redacted as a book. The Torah has never been corrupted; the text read today is identical to the text God revealed to Moses. Because God, who is perfect, revealed the text, it must be perfect. Only in it must intent and execution be identical. And because God is essentially incomprehensible, the Pentateuch must be, at least in part, incomprehensible. The present book will interest traditionalist Christians, to whom, as to traditionalist Jews, the Pentateuch is sacred. It will interest readers not committed to the truths above for the insight it provides about readers for whom those truths are self-evident. For those readers, readers of faith, the Pentateuch must be not merely read, but continuously, intently, and reverentially studied. Reason and Mystery in the Pentateuch demonstrates how such study of the Pentateuch, considered as a literary artifact, may be conducted. In particular, it underscores the limits imposed by its Author upon the capacity of human intelligence to comprehend the plain meaning of its sacred history and its codex, and the linguistic strategy by which those limits are established.