Найти книгу: "CALL ME PHAEDRA"

Who was Fay Abrahams Stender? A giant among Movement lawyers from the McCarthy Era to the 1970s intent on forcing society to change. Friends could easily picture her as the heroine of a grand opera. A child prodigy, she abandoned the concert piano to become a zealous advocate for society’s most scorned and vilified criminal defendants: from the Rosenberg espionage case during the Cold War to militant black clients, Black Panther Party leader Huey Newton and revolutionary prisoner George Jackson to prisoners in the “Dachau” of maximum security. Stender achieved amazing legal successes in criminal defense and prison reform, before she ultimately refocused with similar zeal on feminist and lesbian rights. In May 1979, an ex-felon invaded her home and shot her execution-style after forcing her to write a note saying she betrayed George Jackson. She barely survived. Wheelchair bound and under 24-hour police protection, she then became the star witness in her assailant’s prosecution. Awaiting trial in a secret hideaway in San Francisco, Fay told the few friends she let visit her there to “call me Phaedra,” a tragic heroine from Greek mythology. Shortly after the trial, like Phaedra, she committed suicide.
Set against a backdrop of sit-ins, protest marches, riots, police brutality, assassinations, death penalty trials and bitter splits among Leftists, this book makes for a compelling biography. Yet it delivers on a broader goal as well – an overview of the turbulent era in which Fay Stender operated under the watchful eye of the FBI and state officials. We not only relive Stender’s story, but that of a small cadre of committed Bay Area activists who played remarkable roles during the McCarthy Era, Civil Rights Movement (including Mississippi Freedom Summer), the Free Speech Movement, Vietnam War protests, and the rise of Black Power. Besides revolutionaries Huey Newton and George Jackson, Fay’s life intertwined with: Jessica Mitford (who dubbed Fay her “frenemy’), Bob Treuhaft, Charles Garry, Bob Richter, Stanley Moore, Tom Hayden, Jane Fonda, Stokely Carmichael, Cesar Chavez, Mario Savio, George Crockett, Joan Baez, Willie Brown, Ron Dellums, Jerry Rubin, Max Scherr, Jean Genet, Elsa Knight Thompson, Kay Boyle, Bobby Seale, David Hilliard, Angela Davis, Eldridge and Kathleen Cleaver, and Mike Tigar, among others.
By the fall of 1970, Stender had gained international press coverage as the most sought-after Movement lawyer in America. She had just achieved spectacular successes against all odds for two black revolutionary clients. The book also describes Stender’s ultimate failure to surmount class and racial differences to make her clients’ cause her own and how, as in a Greek tragedy, hubris led to her downfall. Fay’s tragic end served as a sobering lesson to her Movement friends of the personal risks many of them had run. For many, her death symbolized the end of an era.

First performed in Paris in 1677, Jean Racine’s “Phaedra” is the tenth of twelve plays by the author and his last to be based on Greek mythology. Racine, the famed French dramatist and master of dodecasyllabic alexandrine, the 12-syllable poetic meter, was a contemporary of Moliere and Corneille. This classic story concerns its titular character, who though married to Theseus, the King of Athens, falls in love with Hippolytus, Theseus’ son from his first marriage. Hippolytus also has a forbidden desire in his heart for Aricia, who is held by Theseus under a vow of chastity and is the lone survivor of the royal house vanquished by Theseus. Phaedra unleashes a tragic series of events when she is mistakenly told that Theseus has died and she reveals her taboo love for her stepson. Her husband returns and both Phaedra and Hippolytus pay the ultimate price for their forbidden desires. “Phaedra” was incredibly well received with praise from the likes of Voltaire who described the work as a “masterpiece of the human mind”. The drama remains to this day widely performed, studied, and translated, and endures as one of Racine’s most highly regarded works. This edition follows the translation of Robert Bruce Boswell.

The 17th century dramatist Jean Racine was considered, along with Moliere and Corneille, as one of the three great playwrights of his era. The quality of Racine's poetry has been described as possibly his most important contribution to French literature and his use of the alexandrine poetic line is one of the best examples of such use noted for its harmony, simplicity and elegance. While critics over the centuries have debated the worth of Jean Racine, at present, he is widely considered a literary genius of revolutionary proportions. In this volume of Racine's plays we find «Phaedra», the tenth of twelve plays by the author. In «Phaedra» Racine returns to Greek mythology for his subject matter. This classic story concerns its titular character who though married to Theseus falls in love with Hippolytus. «Phaedra» was incredibly well received with praise from the likes of Voltaire who described the work as «the masterpiece of the human mind.» The drama remains to this day as one of Racine's most highly regarded works.

The 17th century dramatist Jean Racine was considered, along with Moliere and Corneille, as one of the three great playwrights of his era. The quality of Racine's poetry has been described as possibly his most important contribution to French literature and his use of the alexandrine poetic line is one of the best examples of such use noted for its harmony, simplicity and elegance. While critics over the centuries have debated the worth of Jean Racine, at present, he is widely considered a literary genius of revolutionary proportions. In this volume of Racine's plays we find «Iphigenia, Phaedra, Athaliah», three of the most popular of the author's dramas. In «Iphigenia» we find the titular daughter of Agamemnon, King of the Greeks, who must sacrifice his daughter in order to set sail for war. In «Phaedra», we have the classic story from Greek mythology concerning its titular character who though married to Theseus falls in love with Hippolytus. And finally in «Athaliah» we find the biblical story of Athaliah, widow of the king of Judah, who rules the country as Queen regnant.

Phaedra by Jean Racine. Translated by Robert Bruce Boswell libreka classics – These are classics of literary history, reissued and made available to a wide audience. Immerse yourself in well-known and popular titles!