Найти книгу: "Empires"

"John Balaban’s sixth collection of poetry considers America in its innate beauty and complex ugliness, in its powerfully healing landscapes and its destructive misadventures. With a compelling lyricism and cinematic imagery, <i>Empires</i> showcases the pervasiveness of the human spirit across a diverse cast of characters, both modern and ancient. From the rubble of the World Trade Center to Washington’s troops crossing the Potomac to powerful insights into the Vietnam War, Balaban’s genius is in connecting the dots of history. Despite the destruction and persecution associated with empires, Balaban illuminates the often overlooked transcendent hope available through poetry, music, and an unwavering connection to the land. Through heart warming elegies, gripping narratives and new translations from several Romanian poets, Balaban’s poems shine a redemptive light amidst the darkness and chaos of changing empires.<br>


“In a way that few poets do, John Balaban truly roams the globe—and the centuries. He has his eye on empires, yes, but also on moments when different slices of history collide… His capacious poems enlarge our eyes on the world.” —Adam Hochschild<br>


“In these poems, John Balaban plumbs the recent and ancient past. His generous spirit and technical brilliance cast a very bright light. <i>Empires</i> is luminous work.” —Elizabeth Farnsworth"

Before WWI, little provision was made for the burial of the war dead. Soldiers were often unceremoniously dumped in a mass grave; officers shipped home to be buried in local cemeteries.The great cemeteries of WWI came about as a result of the efforts of one inspired visionary. In 1914, Fabian Ware, at 45, was too old to enlist. Instead, he joined the Red Cross, working on the frontline in France. There he was horrified by the ignominious end to the lives of many of the soldiers who, buried hastily, were often lost as the battlelines moved backward and forward over the same ground. He recorded their identity and the position of their graves, and his work was quickly officially recognised, with a Graves Registration Commission being set up. As reports of their work became public, the Commission was flooded with letters from grieving relatives around the world.Critically acclaimed author David Crane gives a profoundly moving account of the creation of the great citadels to the dead, which involved leading figures of the day, including Kipling, Lutyens and Gertrude Jekyll. It is the story of both cynical political motivation, as governments sought to justify the sacrifices made, as well as the outpouring of great personal grief, following the ‘war to end all wars’.

Before WWI, little provision was made for the burial of the war dead. Soldiers were often unceremoniously dumped in a mass grave; officers shipped home to be buried in local cemeteries.The great cemeteries of WWI came about as a result of the efforts of one inspired visionary. In 1914, Fabian Ware, at 45, was too old to enlist. Instead, he joined the Red Cross, working on the frontline in France. There he was horrified by the ignominious end to the lives of many of the soldiers who, buried hastily, were often lost as the battlelines moved backward and forward over the same ground. He recorded their identity and the position of their graves, and his work was quickly officially recognised, with a Graves Registration Commission being set up. As reports of their work became public, the Commission was flooded with letters from grieving relatives around the world.Critically acclaimed author David Crane gives a profoundly moving account of the creation of the great citadels to the dead, which involved leading figures of the day, including Kipling, Lutyens and Gertrude Jekyll. It is the story of both cynical political motivation, as governments sought to justify the sacrifices made, as well as the outpouring of great personal grief, following the ‘war to end all wars’.