Найти книгу: "Raised"

An extraordinary memoir of a woman’s unconventional childhood growing up in the Alaskan wilderness, on the grounds where the burned remains of a cannery once stood. In the 1980s the Neilson family moved out on a floathouse to the remote site of a former cannery in Southeast Alaska that had burned to the ground before statehood. They were miles away from any neighbors, surrounded on all sides by wolves, bears and other wildlife, entering the world of subsistence living in an uninviting land of dangerous weather and storms; yet the Neilsons were able to make themselves a home where few others would have found possible. Led by a jack-of-all-trades handyman for a father and a mother who was afraid of everything in the wilderness, Tara and her four siblings cleared the rough terrain to build atop the blackened, rusty ruins a new way of life that was completely their own. From a young age, Tara learned that anything was possible, so long as one can imagine it and then make it happen. When given her mother’s impractical design of a six-bedroom house, her father picked up his tools and crafted it into a reality. To reach the closest community, they built a wooden boat sixteen feet long for the perilous journey on the water. The Alaska wilds required independence and self-sufficiency from the family, and in return it provided a natural landscape that inspired romantic passion and unlimited dreams. With endless forest on one side and the wide ocean on the other, Tara embraced the lonesomeness of the burned cannery ruins that she called home, and often wondered what it once was with its people inside, their stories, where they went, and what happened to them. Beautifully poignant and completely original, Raised in Ruins escapes into the wilderness to discover a piece of Alaskan history wrapped in an incredible family adventure fueled by love, strength, hard work, endurance, and boundless imagination.

Luke-Acts contains many and diverse female characters, many of whom play significant roles in the unfolding drama of God's plan of salvation through Jesus and the early church. Women followers of Jesus are fully-fledged disciples who prove to be reliable and insightful, participating in God's mission at all levels. They act as interpreters of salvation history, God's prophetic mouthpieces, witnesses to the resurrection, proclaimers and teachers of the gospel, and patrons and leaders of the early church. At the heart of this narratival exposure lies a particular theology of women. This narratival presentation and theology is rich and quite remarkable given the socio-religious climate in which Luke wrote. An appreciation of this «narratival theology» is important not only for a well-rounded understanding of Luke-Acts, but as a vital part of the variegated witness of the New Testament regarding the role of women in God's new community.

Worship is a dominant theme in the Old Testament. It is spoken about not only to provide words for worship, guidance about its leadership, or to express censure for its inadequacies, but also to depict places for worship and their significance, and to speak of the high calling of those who had particular roles and responsibilities in worship. Worship for the Old Testament authors has a vital place in the covenantal relationship between the Lord and his people. Michael Thompson considers Israel's worship under a series of themes and aspects–the place of worship (holy places, temples, and homes); the various people at worship (the people, priests and Levites, and kings); the liturgy of worship (prayers, psalms, sacrifices, feasts, festivals, and calendars); and visions of worship (in the proclamations of prophets, wisdom writers, theologians, and Israelite priests). These and many other matters relating to worship in the Hebrew Bible are presented in this fresh and wide-ranging study.