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A level 2 Oxford Bookworms Library graded reader. Written for Learners of English by Alex Raynham. What does the world look like from the moon?' 'How do our bodies work?' 'Is it possible for people to fly?' 'Can I make a horse of bronze that is 8 metres tall?' 'How can we have cleaner cities?' All his life, Leonardo da Vinci asked questions. We know him as a great artist, but he was one of the great thinkers of all time, and even today, doctors and scientists are still learning from his ideas. Meet the man who made a robot lion, wrote backwards, and tried to win a war by moving a river…

Adventure thriller set in Renaissance Italy starring Leonardo da Vinci as a young apprentice who witnesses a murder and becomes involved in a plot to take over the city.LEONARDO AND THE DEATH MACHINE is first and foremost a thriller, set against the background of Renaissance Italy. However, the Leonardo of the title is in fact Leonardo da Vinci. This is a totally fictional adventure, but it COULD have happened.When we first meet Leonardo we find him apprenticed to a successful artist in Florence. But although he yearns to be a great artist himself, he's rather disillusioned with his apprenticeship, which has made him more of an errand boy than an art student. Then, when an impromptu street football match ends in an arm injury for his friend Sandro (whom history will know as Botticelli), Leonardo leaps at the opportunity to help out the unfortunate painter who has been commissioned to paint a portrait for the rich Medici family. Little does our young hero know that soon he will be dragged into murder and intrigue, and will be fleeing for his life!

The ninth title in this successful series. A factually accurate but hilarious look at the life of Leonardo Da Vinci as he mixes with the colourful set in Renaissance Italy! From his passion for horses, to his painting of the Mona Lisa – all is revealed.Leonardo da Vinci’s life from 1470 to 1519 as seen through the eyes of one, Luigi Cannelloni, Leonardo’s trusty assistant. From his Adoration of the Magi; his passion for the structure of horses; his painting of the Mona Lisa not to mention the highlife of Renaissance Italy – all is revealed in an hilarious way. As with the other Lost Diaries, this is factually accurate but the fictional voice brings in the humour