Найти книгу: "The Atrocity Exhibition"

First published in 1970 and widely regarded as a prophetic masterpiece, this is a groundbreaking experimental novel by the acclaimed author of ‘Crash’ and ‘Super-Cannes’.The irrational, all-pervading violence of the modern world is the subject of this extraordinary tour de force.The central character’s dreams are haunted by images of John F. Kennedy and Marilyn Monroe, dead astronauts and car-crash victims as he traverses the screaming wastes of nervous breakdown. Seeking his sanity, he casts himself in a number of roles: H-bomber pilot, presidential assassin, crash victim, psychopath. Finally, through the black, perverse magic of violence he transcends his psychic turmoil to find the key to a bizarre new sexuality.In this revised edition, Ballard has added extensive annotation that help to unlock many of the mysteries of one of the most prophetic, enigmatic and original works of the late twentieth century.

What do we know about war crimes and justice? What are the discursive practices through which the dominant images of war crimes, atrocity and justice are understood? In this wide ranging text, Michael J. Shapiro contrasts the justice-related imagery of the war crimes trial (for example the solitary, headphone-wearing defendant at the Hague listening with intent to a catalogue of charges) with ?literary justice?: representations in literature, film, and biographical testimony, raising questions about atrocities and justice that juridical proceedings exclude. By engaging with the ambiguities exposed by the artistic and experiential genres, reading them alongside policy and archival documentation and critical theoretical discourses, Shapiro?s War Crimes, Atrocity, and Justice challenges traditional notions of ?responsibility? in juridical settings. His comparative readings instead encourage a focus on the conditions of possibility for war crimes as they arise from the actions of states, non-state agencies and individuals involved in arms trading, peace keeping, sex trafficking, and law enforcement and adjudication. Theory springs to life as Shapiro draws on examples from legal discourse, literature, media, film, and television, to build a nuanced picture of politics and the problem of justice. It will be of great interest to students of film and media, literature, cultural studies, contemporary philosophy and political science

Across the world, we see cultural heritage under attack, from Mali to Iraq and Syria. Extremists vandalize museums and historic sites, forbid girls to go to school and kill members of the media – all symbols that embody freedom of thought and respect for cultural diversity. These assaults strike at the heart of human identity and endeavour. Signed in 1935, the Roerich Pact paved the way for landmark international legal instruments devoted to the protection of cultural property, both in peacetime and during war – including the 1954 Hague Convention for the Protection of Cultural Property in the Event of Armed Confl ict and its two (1954 and 1999) Protocols. The UNESCO World Heritage Convention, adopted in 1972, builds on the spirit on the Pact. International criminal law has also made big strides in protecting cultural property. Under the Rome Statute of the International Criminal Court, intentionally directing attacks against buildings dedicated to education, art and science, as well as historic monuments, is a war crime in both international and in non-international armed confl ict. This exhibition pays tribute to the ground-breaking Roerich Pact and bears witness to our determination to take its spirit forward.

The exhibition is held in Shimla Art Gallery of the Lalit Kala Academi (National Academy of Art, New Delhi) and in the International Roerich Memorial Trust (the Roerichs’ Estate in Naggar) within the framework of the international exhibition project by the International Centre of the Roerichs and the International Roerichs’ Heritage Preservation Committee, initiated on April 2, 2012 at the UNESCO Headquarters in Paris with the support of the Ministry of Foreign Affairs of the Russian Federation. Выставка проходит в Галерее искусств в Шимле при Национальной академии изящных искусств (Академии Лалит Кала, Нью-Дели) и в Международном Мемориальном Тресте Рерихов (имение Рерихов в Наггаре) в рамках международного выставочного проекта Международного Центра Рерихов и Международного Комитета по сохранению наследия Рерихов при поддержке Министерства иностранных дел Российской Федерации, начатого 2 апреля 2012 года в штаб -квартире ЮНЕСКО в Париже

An ambitious and powerful account of modern Irish history through the eyes of those who experienced it at first hand.Forty years after the Provisional IRA was formed and British troops arrived in Ireland, Peter Robinson and Martin McGuinness sit together as leaders of a devolved Northern Irish government, in which Sinn Fein and the Democratic Unionists share power. The Troubles appear to be over; the future promises to be quite different from the past. But recent events perhaps suggest otherwise, as old tensions rise to the forefront once more.Through countless interviews with the people from both sides that lived through, participated in and were victims of the Troubles, the author builds a picture of the attitudes and the beliefs that shaped three decades of Ireland's history. There are those whose lives have been shattered, those who have tried to ignore the realities, those who have attempted to bridge the divide, those who do not accept the peace, and some who refuse to look back at all.What emerges is a balanced and wide-ranging account that explores the struggle between ideology and compassion, how the battles and politics of centuries ago still define people's attitudes towards their neighbours today, and how political injustice and the course of time can make a complex reality seem like simple history.