Найти книгу: "The Unveiling of Lhasa"

Best Man for the Bridesmaid!A devastating accident left Hope McKenzie sole carer for her little sister. So now her sister is engaged, Hope will do all she can to organise the wedding – even if that means dealing with reluctant Best Man, Gael O’Connor!Famous New York artist Gael has spent his life observing his parents’ affairs – he’s convinced love is a sham. But, spending time with shy Hope, he coaxes her out of her shell. And soon wonders if this beautiful bridesmaid is what he’s been missing all along!

Unravelling her secrets…The exquisite designs of mysterious dressmaker Madame Belle are the most sought after in the ton, yet only a few are trusted with Belle’s deepest secret – her name.Lady Belinda Howells has gone to great lengths to disguise her identity, it’s the only way to protect herself from the ruthless demands of her wicked father…and to protect her heart.Until Lord Phillip Macpherson walks into her salon and his scorching kiss burns a memory onto her lips that she’ll never be able to forget!Now it’s only a matter of time before the notorious rake unveils the truth, and when he does, Belle knows that she won’t be able to resist…What readers are saying about Raven McAllan:’Wonderfully written and easy to sink into – I’ll definitely look to read more from Raven McAllan!’ – Paris Baker Book Nook Reviews‘A truly delicious step back in time that has left me hungry for more. If you're a regency fan, then I suggest you delve into this, it will tease and tantalise until the very last page!’ – Becca’s Books

The secrets behind her eyesSir Arthur Ferrer catches sight of her among the stands at the Twelfth Night joust. There is something about her eyes…. He's seen them before. But when he goes to find the mysterious woman who has so captivated him, she's disappeared!Clare has been running from a dark past that she can never speak of. But this handsome knight seems determined to unveil her secrets. Will she dare to let him glimpse the real Lady Clare?Knights of ChampagneThree Swordsmen for Three Ladies

Selected by Choice magazine as an Outstanding Academic Title Unveiling Eve is the first feminist inquiry into the Hebrew poetry and prose forms cultivated in Muslim and Christian Spain, Italy, and Provence in the eleventh through fourteenth centuries. In the Jewish Middle Ages, writing was an exclusively male competence, and textual institutions such as the study of scripture, mysticism, philosophy, and liturgy were men's sanctuaries from which women were banished. These domains of male expertise—alongside belles lettres, on which Rosen's book focuses—served as virtual laboratories for experimenting with concepts of femininity and masculinity, hetero- and homosexuality, feminization and virilization, transvestism and transsexuality. Reviewing texts as varied as love lyric, love stories, marriage debates, rhetorical contests, and liturgical and moralistic pieces, Tova Rosen considers the positions and positioning of female figures and female voices within Jewish male discourse. The idolization and demonization of women present in these texts is read here against the background of scripture and rabbinic literature as well as the traditions of chivalry and misogyny in the hosting Islamic and Christian cultures. Unveiling Eve unravels the literary evidence of a patriarchal tradition in which women are routinely rendered nonentities, often positioned as abstractions without bodies or reified as bodies without subjectivities. Without rigidly following any one school of feminist thinking, Rosen creatively employs a variety of methodologies to describe and assess the texts' presentation of male sexual politics and delineate how women and concepts of gender were manipulated, fictionalized, fantasized, and poeticized. Inaugurating a new era of critical thinking in Hebrew literature, Unveiling Eve penetrates a field of medieval literary scholarship that has, until now, proven impervious to feminist criticism.

Whether people realize it or not, the ideas in 1 Corinthians 11:2-16 have had a huge impact on the role of Christian women in the church through the centuries. These fifteen verses have shaped worship practices, church structures, church leadership, marriages, and even relationships between men and women in general. They have contributed to practices that have consistently placed women in a subordinate role to men, and have been used to justify the idea that a woman should not occupy a leadership or teaching position without being under the authority or «covering» of a man. It is strange, therefore, that academics and pastors alike continue to note how confusing and difficult it continues to be to make sense of these very verses. In this little book, Lucy Peppiatt not only highlights the problems associated with using this text to justify the subordination of women, but offers a clear and plausible re-reading of the text that paints the apostle Paul as a radical, visionary, church planter who championed women in all forms of leadership.