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All the facts, legends and technique of the ninja are presented here y one of the foremost authorities on the subject. The Ninja, also known as Shinobi, inspired awe and terror in equal measure. Master of espionage and assassination, stealth and concealment, the ninja's ability to move swiftly and silently gave rise to popular legends of amazing exploits, invincibility and supernatural powers.In Ninjutsu: The Art of Invisibility , Donn Draeger draws back the veil of mystery shrouding the arcane practices of feudal Japan's shadow warriors. Stripping away myth and exaggeration, Draeger reveals the secret tactics, exotic weapons, tricks and disguises that earned the ninja a reputation as history's most feared secret agents.Chapters include: Entering the World of the NinjaHistory and OrganizationTraining and SkillsOperating TechniquesCostumeTools and WeaponsTactics, Ruses, and FeatsFacts and Legends

In Taiho-Jutsu: Law and Order in the Age of the Samurai, author and judo second-dan Don Cunningham provides a fascinating introduction to the civil society of Edo-period (1603-1867) Japan—particularly the role played by the well-known warrior class, the samurai.Cunningham shows that the samurai were not, as commonly portrayed, always all-powerful mediators ruling the chonin through the power of their swords. During this period the samurai became a part of the complex system of Japanese law enforcement. Made up of samurai as well as machi-bugyo-sho (town magistrates), yoriki («assistant» samurai), doshin (samurai patrol officers), komono (assistants), goyokiki (part-time police assistants) and okappiki (informants and spies)—this intricate structure mirrored the Japanese society of the day.Taiho-Jutsu offers a detailed look at the weapons these law enforcement officers used—including the jutte (iron truncheon), tesson (iron fan), yori-bo (wooden staff), sodegarami (sleeve entangler), sasumata (spear fork), and torinawa (arresting ropes)—as well as a fascinating illustrated look at the techniques used to apprehend criminals. From kamae (stances) to parrying and striking and throwing techniques, these explanations demonstrate the practical techniques in Edo-period Japan.

Saijutsu: Traditional Okinawon Weapon Art is a presentation by kobujutsu master Katsumi Murakami of the powerful and subtle Okinawan art of the sai.In this succinct and authoritative martial arts manual, the art of wielding the sai, twin forked weapons-sometimes called iron rulers or truncheons-that enable the user to disarm and neutralize a more heavily armed opponent, is set out in step-by-step detail, with clear photographs of every move of each kata, from the basic training forms to the more complex classical kata.The core of the art of saijutsu is the union of weapon and wielder- sai become extensions of the hand itself. Practicing these techniques trains the wrist and arm, and indeed the whole body, in a way which increases the power, speed, and precision even of empty-handed strikes.This volume includes legends of the saijutsu masters BushiTawada and Bushi Matsumura of the author's lineage, discussion of saijutsu technique versus sword, and the following kata:Saijutsu Kihongata lchi Saijutsu Kihongata Ni Saijutsu Kihongata San Tawada no Sai Ichi Matsumura no Sai

Secret Weapons of Jujutsu is the first jujutsu book in English that deals with the full array of small hand weapons used by the Japanese samurai and constabulary.This martial arts manual includes a history of the weapons and discussions of hibuki (concealed weapons), improvised weapons, and traditional battlefield weapons such as: kansashi (a long, pointed metal hairpin worn by men and women) kokai and kudzuka (small utility knives) shoku (fire ax) shakuhachi (a bamboo flute — a particular favorite of monks) yawara (short wooden rod) manriki-gusari (weighted chain) suntetsu (short iron bar) lessen (iron war fan).Secret Weapons of Jujutsu discusses the weapons and demonstrates their use, in a series of clear, easy to follow photographs. Also included are historical photographs, as well as reproductions of paintings and line drawings, of these weapons and their bearers.