Скачать книгу - The Iranian Expanse

This coming-of-age memoir, set during the Iranian Revolution, tells the story of a young girl who moves to Tehran from the U.S. and has to adjust to living in a new country, learning a new language, and starting a new school during one of the most turbulent periods in Iran's history. Includes a foreword from best-selling author Firoozeh Dumas.This compelling true story of Nioucha Homayoonfar offers a window into an at-once familiar yet foreign culture. Religion classes are mandatory at her new school. Nioucha has to cover her head and wear robes. Her cousin is captured and tortured after he is caught trying to leave the country. And yet, in midst of so much change and challenge, Nioucha is still just a girl who listens to music and idolizes pop stars. But she has to be careful when Western music is banned and she cannot be seen in public together with her new boyfriend. Will she ever get used to this new way of life? Nioucha's story sheds light on the timely conversation about religious freedom, publishing in time for the 40th anniversary of the Iranian Revolution.

Iranian Diaspora Identities: Stories and Songs combines oral history, storytelling, theories of communication, and performance studies into a unique study of an immigrant community. This book is the result of collaborative work between two Iranian-American immigrants, one a musician and artist and the other a professor. Using ethnographic, dramatistic, and oral history approaches, Ziba Shirazi gathered these stories of diaspora journeys of Iranians living in California and Toronto in the aftermath of the Islamic Revolution of 1979. The editors transcribed these stories and developed them into short performance pieces that include lyrics and songs and were performed in the United States and Canada to thousands of people in theater venues and libraries. These stories constitute a unique archive of the history of contemporary Iranian diaspora experiences. They are autobiographic vignettes that have helped constitute an artistic vision of Iranian exiles’ own sense of community and their migratory experiences that inform the transformations they experienced in family, gender, and spiritual beliefs. In addition to providing an archive of experiences, the book uses social drama and storytelling to advocate for a new methodology for documenting Iranian diaspora accounts. It constitutes a new contribution to the existing literature on Iranian diaspora and furthers an exciting contribution to scholarship in qualitative research in communication studies.

During recent years, attempts have been made to move beyond the Eurocentric perspective that characterized the social sciences, especially anthropology, for over 150 years. A debate on the “anthropology of anthropology” was needed, one that would consider other forms of knowledge, modalities of writing, and political and intellectual practices. This volume undertakes that challenge: it is the result of discussions held at the first organized encounter between Iranian, American, and European anthropologists since the Iranian Revolution of 1979. It is considered an important first step in overcoming the dichotomy between “peripheral anthropologies” versus “central anthropologies.” The contributors examine, from a critical perspective, the historical, cultural, and political field in which anthropological research emerged in Iran at the beginning of the twentieth century and in which it continues to develop today.