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In the first musicological study of Kurt Weill’s complete stage works, Stephen Hinton charts the full range of theatrical achievements by one of twentieth-century musical theater’s key figures. Hinton shows how Weill’s experiments with a range of genres—from one-act operas and plays with music to Broadway musicals and film-opera—became an indispensable part of the reforms he promoted during his brief but intense career. Confronting the divisive notion of «two Weills»—one European, the other American—Hinton adopts a broad and inclusive perspective, establishing criteria that allow aspects of continuity to emerge, particularly in matters of dramaturgy. Tracing his extraordinary journey as a composer, the book shows how Weill’s artistic ambitions led to his working with a remarkably heterogeneous collection of authors, such as Georg Kaiser, Bertolt Brecht, Moss Hart, Alan Jay Lerner, and Maxwell Anderson.


An essay on musical harmony An essay on musical harmony

Автор: Augustus Frederic Christopher Kollmann

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Примечание: Очерк о музыкальной гармонии. Полный вариант заголовка: «An essay on musical harmony : according to the nature of that science and the principles of the greatest musical authors / by Augustus Frederic Christopher Kollmann».


The musical notation of the middle ages The musical notation of the middle ages

Автор: Народное творчество

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Voyage musical en Allemagne et en Italie, I Voyage musical en Allemagne et en Italie, I

Автор: Hector Berlioz

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A travers chants: etudes musicales, adorations, boutades et critiques A travers chants: etudes musicales, adorations, boutades et critiques

Автор: Hector Berlioz

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Voyage musical en Allemagne et en Italie, II Voyage musical en Allemagne et en Italie, II

Автор: Hector Berlioz

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