Скачать книгу - Elijah, Yahweh, and Baal

The Widow's Second ChanceMartha King has only been a widow for a few months, but already the community wants her to remarry. But after her childless marriage, she isn’t in a rush to give her heart to another man—until Elijah Lapp. The handsome—and younger—Eli hires on at Martha’s farm to earn extra money to fund his dream of owning a carriage shop. But the more time Eli spends with Martha, the more he realizes his life should also include a wife. Can Eli convince the Amish beauty to overcome their age difference and accept a future with him?Lancaster County Weddings: Binding two hearts as one in Amish country.

John Howard Yoder is most famous for arguing in The Politics of Jesus that a sound reading of the New Testament demonstrates the abiding relevance of Jesus to social ethics. However, it is seldom acknowledged that Yoder makes essentially the same argument with regard to the Old Testament. Throughout his extensive writings, Yoder offers a provocative interpretation of the Old Testament that culminates in the way of Jesus and establishes the ethical, ecclesiological, and historiographical continuity of the entire biblical canon. In The Politics of Yahweh, presented as a prequel to The Politics of Jesus, John C. Nugent makes Yoder's complete Old Testament interpretation accessible in one place for the first time.
Nugent does not view Yoder's interpretation as flawless. Rather, Nugent moves beyond summary to offer honest critique and substantial revision. His constructive proposal, which stands in fundamental continuity with the work of Yoder, is likely to provoke thought from theologians, biblical scholars, and ethicists. Even at points where readers disagree with some of his and Yoder's interpretations, they will be challenged to explore new perspectives and rethink common assumptions concerning the diverse and often confusing issues that arise from sustained reflection on the Old Testament.

One of the major shifts in OT studies over the past half of a century has been the move away from studies dominated by diachronic matters toward more text-immanent, synchronic approaches. In Psalter studies, one can see such a shift on two levels. First, on the level of the individual psalm, there has been a general trend to focus on the literary and linguistic features as the proper means for discerning the meaning of the poem. Second, on the level of the Psalter as a whole, scholars have devoted significant attention to its canonical shape and the role of adjacent psalms in the interpretation of each individual psalm. In Remember, O Yahweh, Todd approaches Psalms 135–137 on both of these levels. After a detailed poetic analysis of each psalm, he proposes that Psalms 135–137 serve as a bridge between the Songs of Ascents (Pss 120–134) and the Last Davidic Psalter (Pss 138–145). As such, this group highlights Yahweh's past acts of deliverance as the basis for the post-exilic community's prayer for Yahweh to remember his people's lowly condition.

In this monograph, Adam Winn proposes that the ancient Greco-Roman literary practice of imitation can and should be used when considering literary relationships between biblical texts. After identifying the imitative techniques found in Virgil's Aeneid, Winn uses those techniques as a window into Mark's use of the Elijah-Elisha narrative of 1 and 2 Kings. Through careful comparisons between numerous pericopes of both respective narratives, Winn argues that the Markan evangelist has, at many points, clearly and creatively imitated the Elijah-Elisha narrative and has relied on this narrative as a primary source.