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The revolutionary Ohio Valley is often depicted as a chaotic Hobbesian dystopia, in which Indians and colonists slaughtered each other at every turn. In Unsettling the West , Rob Harper overturns this familiar story. Rather than flailing in a morass, the peoples of the revolutionary Ohio Valley actively and persistently sought to establish a new political order that would affirm their land claims, protect them against attack, and promote trade. According to Harper, their efforts repeatedly failed less because of racial antipathy or inexorable competition for land than because of specific state policies that demanded Indian dispossession, encouraged rapid colonization, and mobilized men for war. Unsettling the West demonstrates that government policies profoundly unsettled the Ohio Valley, even as effective authority remained elusive. Far from indifferent to states, both Indians and colonists sought government allies to aid them in both intra- and intercultural conflicts. Rather than spreading uncontrollably across the landscape, colonists occupied new areas when changing policies, often unintentionally, gave them added incentives to do so. Sporadic killings escalated into massacre and war only when militants gained access to government resources. Amid the resulting upheaval, Indians and colonists sought to preserve local autonomy by forging relationships with eastern governments. Ironically, these local pursuits of order ultimately bolstered state power. Following scholars of European and Latin American history, Harper extends the study of mass violence beyond immediate motives to the structural and institutional factors that make large-scale killing possible. The Ohio Valley's transformation, he shows, echoed the experience of early modern and colonial state formation around the world. His attention to the relationships between violence, colonization, and state building connects the study of revolutionary America to a vibrant literature on settler colonialism. Получить ссылку |
Unsettling Food Politics
Автор: Christopher Mayes
Год издания:
Unsettling Arguments
Автор: Группа авторов
Год издания:
Scott Bader-Saye Frederick Christian Bauerschmidt Michael Baxter Daniel M. Bell Jr. Jana Marguerite Bennett Michael G. Cartwright William T. Cavanaugh Peter Dula Chris K. Huebner Kelly S. Johnson D. Stephen Long M. Therese Lysaught David Matzko McCarthy Joel James Shuman J. Alexander Sider Jonathan Tran Paul J. Wadell Theodore Walker Jr.
The Unsettling
Автор: Peter Rock
Год издания:
Populated by strangers, ghosts, and other shadowy figures, the thirteen stories in The Unsettling attend to those startling moments when what we have understood as familiar is suddenly revealed as mysterious and foreign.A lonely man saving library books from an outbreak of mold listens to a coworker’s tale about a blind woman and imbues it with his own sense of romance; a woman drives a Gold Firebird through the desert with a television playing «Rockford Files» reruns on the passenger seat; and a girl returns to her childhood home to spy on its new inhabitants, not realizing they are aware of her surveillance; a Poe-obsessed medical examiner constructs ornate scenes in an attempt to provoke hope in the forgotten lives of a dark and desperate city.Told through Rock’s imaginative and wholly original voice, these are haunted tales about fascination, transformation, and the relationship between the two.
Unsettling Native Art Histories on the Northwest Coast
Автор: Группа авторов
Год издания:
Inseparable from its communities, Northwest Coast art functions aesthetically and performatively beyond the scope of non-Indigenous scholarship, from demonstrating kinship connections to manifesting spiritual power. Contributors to this volume foreground Indigenous understandings in recognition of this rich context and its historical erasure within the discipline of art history.By centering voices that uphold Indigenous priorities, integrating the expertise of Indigenous knowledge holders about their artistic heritage, and questioning current institutional practices, these new essays “unsettle” Northwest Coast art studies. Key themes include discussions of cultural heritage protections and Native sovereignty; re-centering women and their critical role in transmitting cultural knowledge; reflecting on decolonization work in museums; and examining how artworks function as living documents. The volume exemplifies respectful and relational engagement with Indigenous art and advocates for more accountable scholarship and practices.
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