Скачать книгу - Publics and the City

Bringing together essays by museum professionals and academics from both sides of the Atlantic, Art and its Publics tackles current issues confronting the museum community and seeks to further the debate between theory and practice around the most pressing of contemporary concerns. Brings together essays that focus on the interface between the art object, its site of display, and the viewing public. Tackles issues confronting the museum community and seeks to further the debate between theory and practice. Presents a cross-section of contemporary concerns with contributions from museum professionals as well as academics. Part of the New Interventions in Art History series, published in conjunction with the Association of Art Historians.

Social activism and dissent have become global phenomena for our times. Ordinary people across the world are fighting back. This newly potent political force has defeated governments in India and Spain, and has brought down the EU draft constitution. Disaffected by the triumph of markets, public goods, public interest and public spaces are regaining political ground. Daniel Drache argues that, feeding off distrust and suspicion of governments, and assisted by the new cultural flows of people, ideas and information, this is a political phenomenon without historical precedent. No-one owns the new public, elites remain baffled by its power and impact. No-one can contain its innovative, inclusive and rapidly evolving organizational style. No-one can determine when the current cycle of dissent will peak. This lively and engaging book is a must-read for anyone interested in the role of protesters and publics in contemporary politics.

In spite of having been short-lived, “Weimar” has never lost its fascination. Until recently the Weimar Republic’s place in German history was primarily defined by its catastrophic beginning and end – Germany’s defeat in 1918 and the Nazi seizure of power in 1933; its history seen mainly in terms of politics and as an arena of flawed decisions and failed compromises. However, a flourishing of interdisciplinary scholarship on Weimar political culture is uncovering arenas of conflict and change that had not been studied closely before, such as gender, body politics, masculinity, citizenship, empire and borderlands, visual culture, popular culture and consumption. This collection offers new perspectives from leading scholars in the disciplines of history, art history, film studies, and German studies on the vibrant political culture of Germany in the 1920s. From the traumatic ruptures of defeat, revolution, and collapse of the Kaiser’s state, the visionaries of Weimar went on to invent a republic, calling forth new citizens and cultural innovations that shaped the republic far beyond the realms of parliaments and political parties.