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Drawing on the author’s deep understanding of military history and weaponry, and of the strengths and frailties of politicians and generals, this is Len Deighton’s classic myth-puncturing analysis of the opening years of the Second World War.Reissued by William Collins, ‘Blood, Tears and Folly’ offers sweeping analysis of six theatres of war: the Battle of the Atlantic, Hitler’s conquest of western Europe, the war in the Mediterranean, the battle for the skies, Operation Barbarossa and the German assault on Russia, and the entry of Japan into what was from that point a truly global war.This is the period during which the Allied powers were brought to the brink of utter defeat, and Deighton offers an unflinching account of the political machinations, the strategy and tactics, the weapons and the men on both sides who created a world of terror and millions dead, of the Holocaust, and of nuclear devastation.As Deighton writes: ‘the time has come to sweep away the myths and reveal the no less inspiring gleam of that complex and frightening time in which evil was in the ascendant, goodness diffident, and the British – impetuous, foolish and brave beyond measure – the world’s only hope.’

Joe knew his mother was cruel and violent, but he trusted his beloved father to protect him from her. When a freak accident saw his father burn to death in front of him, Joe was left at the mercy of his mother. Without the love of his friend and brother, he wouldn't have survived. With them, he went on to spend his life fighting child abuse.Joe was just five years old and the horrific scene literally struck him dumb. He didn't speak for four and a half years, which meant he was unable to ask anyone for help as his life turned into a living hell.His schizophrenic mother and two of his older brothers spent the following years beating him, raping him and locking him in the cellar at the family home. Fed on scraps that he was forced to lick from the floor, he was sometimes left naked in the dark for three days without human contact.Unable to read or write, all Joe could do to communicate his suffering was draw pictures.The violence and sexual abuse grew in severity as more people, including his stepfather, were invited to use him in any way they chose.The only thing that saved Joe was the kindness of his elder brother and his only school friend, both of whom showed him that love was possible even in the darkest of situations.At fourteen he finally found the courage to run away, hiding in a hut by a railway line, fed on scraps by some local children who found him.Joe's is the ultimate insider's story, casting light into the darkest of hidden worlds, and a truly inspirational account of how one small boy found the strength to overcome almost impossible odds and become a remarkable man. Now that he has found his voice again, Joe speaks out against child abuse and helps support and protect other children whose lives have been blighted by it.

This new edition, which is reproduced from a first printing of the book, is introduced by the author Martin Edwards, archivist of the Detection Club, and includes a never-before-published Preface by Agatha Christie, ‘Detective Writers in England’, in which she discusses her fellow writers in the Detection Club.Lord Comstock is a barbarous newspaper tycoon with enemies in high places. His murder in the study of his country houseposes a dilemma for the Home Secretary. In the hours before his death, Lord Comstock’s visitors included the government Chief Whip, an Archbishop, and the Assistant Commissioner for Scotland Yard. Suspicion falls upon them all and threatens the impartiality of any police investigation. Abandoning protocol, the Home Secretary invites four famous detectives to solve the case: Mrs Adela Bradley, Sir John Saumarez, Lord Peter Wimsey, and Mr Roger Sheringham. All are different, all are plausible, all are on their own – and none of them can ask a policeman…This classic whodunit adopted a completely new approach: Milward Kennedy proposed the title, John Rhode plotted the murder and provided the suspects, and four of their contemporaries were asked to lend their well-known detectives to the task of providing solutions to the crime. But there was to be another twist: the authors would swap detectives and use the characters in their sections of the book. Thus Gladys Mitchell and Helen Simpson swapped Mrs Bradley and Sir John Saumarez, and Dorothy Sayers and Anthony Berkeley swapped Lord Peter Wimsey and Roger Sheringham, enabling the authors to indulge in skilful and sly parodies of each other.The contributors to ASK A POLICEMAN are: John Rhode, Helen Simpson, Gladys Mitchell, Anthony Berkeley, Dorothy L. Sayers, Milward Kennedy with Agatha Christie and Martin Edwards.