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In Left on Red, venture capitalist and business innovator Bill Glynn reveals how visionary thinkers and risk-takers build great companies by doing the opposite of the expected. Today?s coolest and most successful businesses?including Google, Apple, and YouTube?were built by people who break the rules and bring radical ideas to life. If you?re an entrepreneur or an executive, this book gives you the inspiration and the guidance to bring your radical ideas to life?and change the world in the process.

Longlisted for the Orwell Prize and the Samuel Johnson prize for non-fiction; both conservative and subversive, Burke’s beliefs have never been more relevant, as MP Jesse Norman explains.Philosopher, statesman, and founder of modern conservatism, Edmund Burke is both the greatest and most under-rated political thinker of the past three-hundred years. Born in Ireland in 1729, and greatly affected by its bigotry and extremes, his career constituted a lifelong struggle against the abuse of power.Amid the 18th century’s golden generation that included his companions Adam Smith, Samuel Johnson and Edward Gibbon, Burke’s controversial mixture of conservative and subversive theories made him first a marginal figure, and finally a revered theorist – a hero of the Romantics. He warned of the effects of British rule in Ireland, the loss of the American colonies, and most famously, he foresaw the disastrous consequences of revolution in France. This he predicted, would trigger extremism, terror and the atomisation of society – a profound analysis that continues to resonate today.In this absorbing new biography Conservative MP Jesse Norman gives us Burke anew, vividly depicting his dazzling intellect, imagination and empathy against the rich tapestry of 18th century Europe. Burke’s wisdom, Norman shows, applies well beyond the times of empire to the conventional democratic politics practised in Britain and America today. We cannot understand the defects of the modern world, or modern politics, without him.

A brilliantly conceived biography of Joseph Paxton, horticulturist to the Duke & Duchess of Devonshire at Chatsworth, architect of the Crystal Palace at the Great Exhibition of 1851 and one of the greatest unsung heroes of the Victorian AgeIn the nineteenth century, which witnessed a revolution in horticulture and urban planning and architecture, Joseph Paxton, a man with no formal education, strode like a colossus. Head gardener at Chatsworth by the age of twenty-three, and encouraged by the sixth Duke of Devonshire whose patronage soon flourished into the defining friendship of his life, Paxton set about transforming this Derbyshire estate into the greatest garden in England. Visitors there were astonished by the enormous glasshouses and ambitious waterworks he built, the collection of orchids, the largest in all England, the dwarf bananas and the gargantuan lily, the trees and plants brought back from all over the world. Queen Victoria came to marvel and, increasingly, with the development of the railway in which Paxton was also involved, daytrippers from all over the country.It was the Crystal Palace, home of the Great Exhibition in 1851, that secured Paxton's fame. His design, initially doodled on a piece of blotting paper, was the architectural triumph of its time. Two thousand men worked for eight months to complete it. It was six times the size of St Paul's Cathedral, enclosed a space of 18 acres, and entertained six million visitors. By the time of his death fourteen years later, 'the busiest man in England' according to Dickens, was friends with Brunel and Stevenson and in constant demand to design public parks and gardens. His last, seemingly most eccentric project was for a Great Boulevard under glass, a crystal arcade that would connect all the main railway termini in London.Drawing on exclusive access to Paxton's personal letters, Kate Colquhouns's remarkable biography is a compelling story of a man who typifies the Victorian ideal of self-improvement and a touching portrait of one of that era's great heroes.

Modern Protestant theology has tended to shun metaphysics. The philosophical underpinnings of our theological traditions have cracked under the weight of modern scrutiny. Robert Jenson is a theologian who has embraced the critique of inherited metaphysics, but who then finds contained within the gospel itself the basis for further and more specific critiques: the story of Jesus of Nazareth. Jenson argues that the appropriate response of theology to the contemporary situation is not to reject metaphysics, but to develop new and more radical metaphysical proposals. For several decades now, he has been pursuing a theological program of «revisionary metaphysics»–an attempt to speak about the gospel in a society more and more characterized by epistemological disquiet. Gathered together in this volume is a collection of his proposals for theology laboring under this task of revisionary metaphysics.

Japanese gardens are found throughout the world today&#8212;their unique forms now considered a universal art form. This stunning Japanese gardening book examines the work of five leading landscape architects in North America who are exploring the extraordinary power of Japanese-style garden design to create an immersive experience promoting personal and social well-being. <br><br>Master garden designers Hoichi Kurisu, Takeo Uesugi, David Slawson, Shin Abe and Marc Keane have each interpreted the style and meaning of the Japanese garden in unique ways in their innovative designs for private, commercial and public spaces. Several recent Japanese-style gardens by each designer are featured in this book with detailed descriptions and sumptuous color photos. <br><ul><li> Hoichi Kurisu&#8212;transformative spaces for spiritual and physical equilibrium.</li><li> Takeo Uesugi&#8212;bright, flowing gardens that evoke joyful living.</li><li> David Slawson&#8212;evocations of native place that fuse with the surrounding landscape.</li><li> Shin Abe&#8212;dynamically balanced «visual stories» that produce meaning and comfort.</li><li> Marc Keane&#8212;reflections on human connections with nature through the art of gardens.</li></ul><br>Also included are essays on the designers and mini-essays by them about gardens in Japan which have most inspired their work, as well as commentaries by patrons and visitors to their North American gardens. <br><br>The book focuses on recently-created gardens to suggest how the art form is currently evolving, and to understand how Japanese garden design principles and practices are being adapted to suit the needs and ways of people living and working outside Japan today.