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Simon Callow plunges headlong into Wagner’s world to discover what it was like to be Wagner, and to be around one of music’s most influential figures.A hundred and thirty-five years after his death, Richard Wagner’s music dramas stand at the centre of the culture of classical music. They have never been more popular, nor so violently controversial and divisive. His music is still banned in Israel – the only classical composer whose music is banned in the western world. His ten great mature masterpieces constitute an unmatched body of work, created against a backdrop of poverty, revolution, violent controversy, critical contempt and hysterical hero-worship.As a man, he was a walking contradiction, aggressive, flirtatious, disciplined, capricious, heroic, visionary and poisonously anti-Semitic. At one point, he had four lengthy operas written with no hope of being performed when, as if in a fairy-tale, he was rescued by a beautiful young king with limitless wealth which he bestowed on the composer. When one of those works, Tristan and Isolde, was at last performed, it revolutionised classical music at a stroke. Finally he fulfilled his lifelong dream of creating a vast epic to rival the work of the great Greek playwrights, a music drama in four massive segments, ushering gods and dwarves, heroes and thugs, dragons and rainbows onto the stage, the apotheosis of German art as he saw it, so extreme in its demands that he had to train a generation of singers and players to perform it, and erect a custom-built theatre to house it. Wagner died, exhausted, after creating one final piece – Parsifal – that seems to point to an even more radical new future for music.Simon Callow recalls the intellectual and artistic climate in which Wagner worked, recording the almost superhuman effort required to create his work, and evoking the extraordinary effect he had on people – this composer like no other who ever lived, extreme in everything, creator of the most sublime and most troubling body of work ever known. Получить ссылку |
Wagner-Festspiеle
Автор: Евгений Браудо
Год издания:
«В Simplicissimus'е я нашел недурную, хотя и несколько грубую, каррикатуру на вагнеровский энтузиазм мюнхенцев. Наверху 1865 год – группа мюнхенских граждан, с типичными лицами Hofbrauhausler с остервенением выталкивают за пропилеи Рихарда Вагнера; подпись: «schmeisst ihn n'aussi!» Внизу – 1910 год; те же почтенные граждане в цилиндрах и фраках почтительно приветствуют Вагнера, которого насильно тащут по направлению к тем же пропилеям; подпись: «Oh mit dem giebt es was zu verdienen, schmeisst ihn wieder nein». В этих двух каррикатурах довольно верно передана история Вагнеровского театра в Мюнхене…»
A discourse concerning the being and attributes of God
Автор: Samuel Clarke
Год издания:
Полный вариант заголовка: «A discourse concerning the being and attributes of God, the obligations of natural religion, and the truth and certainty of the christian revelation : in answer to Mr. Hobbs, Spinoza, the author of the Oracles of reason, and other deniers of natural and revealed religion : being 16 sermons, preach'd in the Cathedral-Church of St. Paul, in the years 1704, and 1705, at the lecture founded by the Honourable Robert Boyle : in which is inserted a discourse concerning the connexion of the Prophecies in the Old Testament, and the application of them to Christ : there is alfo, an answer to a 7th letter, concerning, the argument a priori, in proof of the being of God / by Samuel Clarke».
Russia: being a complete picture of that empire
Автор: Charles G. Hunter
Год издания:
Полный вариант заголовка: «Russia : being a complete picture of that empire : including a full description of their government, laws, religion, commerce, manners, customs &c. ; with the history of Russia, civil, military, and ecclesiastical from the earliest period to the present time ; containing ample memorials of the reign of the illustrious emperor Alexander I / by C. G. Hunter».
Life of Richard Wagner
Автор: Louis Nohl
Год издания:
The classic biography on the Bavarian maestro, Richard Wagner. Covers his life from birth and youth to death.
Human Being Theory. For Dummies
Автор: Jacob Feldman
Год издания:
Time goes fast, new questions arise about human life, society, history, education, family, happiness… Old philosophy, old psychology have no instruments (concepts, methods, ideas) to answer these questions. New concepts like Levels-of-Mind model and Big-Triplet model plus minor models like Worlds-of-Life and Layers-of-Being wait you here. Use it to answers tough questions about the Time and the Life.
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