Скачать книгу - The Long Sixties

The Puppet Master is back with the inside story.Written by one half of the Fluck and Law partnership, which produced Spitting Image for many years, this book will catch up with creative spirit Roger Law to investigate life at sixty through the eyes of the puppet master.Roger Law, the evil genius behind the mocking, caricature puppets of Spitting Image – which lampooned Margaret Thatcher, ridiculed the Royal Family and gave birth to 'The Chicken Song' – unburdens his tormented soul and tells the awful truth of how it all came about.The award-winning series ran for eight years, with Law masterminding the corruption and undermining of an entire generation's respect for authority and institutions, and giving voice to such comedic reprobates as Harry Enfield, Pamela Stephenson and Rory Bremner. He subjected the British public to political outrages – to a reception of delight and indignation in equal measure – every Sunday evening from 1984 to 1992.When the satire bubble finally burst, Law found himself too young for retirement, too old to be retrained and without any discernable talent for domesticity or addressing a golf ball. In short, very thoroughly rinsed up.Confronted with 'one day off after another as far as the eye can see,' Law did what some people thought was the only decent thing he could do, possibly had ever done – he transported himself to Australia.STILL SPITTING AT SIXTY is Roger Law's account of his life in retirement down-under, filled with all the lunacy and flare that one would expect from the co-producer and creator of Spitting Image.

This is a chapter from Alex Ross’s groundbreaking history of twentieth-century classical music, ‘The Rest is Noise’. Further extracts are available as digital shorts, accompanying the London Southbank festival programme.After the war, composers took up what might be called catastrophe style with a vengeance. The twentieth century was undoubtedly one of the most horrific periods of human history – but terror was not always the subject of its composers. For some, attempting to transcend or reject the despair that consumed other artists led to the creation of some of the century’s most beautiful music.Now a major festival running throughout 2013 at London’s Southbank, The Rest is Noise is an intricate commentary not just on the sounds that defined the century, but on art’s troublesome dance with politics, social and cultural change.Alex Ross is the New Yorker’s music critic, and the winner of the Guardian First Book Award and the National Book Critics Circle Award for The Rest is Noise, which was also shortlisted for the Samuel Johnson and Pulitzer prizes for non-fiction.

Fast moving and insightful, Black and Gold is an extraordinary reminiscence of an extraordinary time&mdash;at once both an optimistic coming-of-age story and the depiction of the end of the most famous decade in the 20th century. This sharp and poignant story is told from the viewpoint of those who were just the right age to best experience that dangerous decade. <br><br>Set in the Midwest in a small university town, this book tells of change from the viewpoint of Mark, an engineering student in his final year of college, with the draft looming. Beautifully evoked with engaging characters, Black and Gold is a multilayered reminiscence of passion, loss, change and discovery of courage.