Скачать книгу - On the Sublime

What do we know about Hegel? What do we know about Marx? What do we know about democracy and totalitarianism? Communism and psychoanalysis? What do we know that isn't a platitude that we've heard a thousand times – or a self-satisfied certainty? Through his brilliant reading of Hegel, Slavoj Zizek – one of the most provocative and widely-read thinkers of our time – upends our traditional understanding, dynamites every cliche and undermines every conviction in order to clear the ground for new ways of answering these questions. When Lacan described Hegel as the ‘most sublime hysteric’, he was referring to the way that the hysteric asks questions because he experiences his own desire as if it were the Other's desire. In the dialectical process, the question asked of the Other is resolved through a reflexive turn in which the question begins to function as its own answer. We had made Hegel into the theorist of abstraction and reaction, but by reading Hegel with Lacan, Zizek unveils a Hegel of the concrete and of revolution – his own, and the one to come. This early and dazzlingly original work by Zizek offers a unique insight into the ideas which have since become hallmarks of his mature thought. It will be of great interest to anyone interested in critical theory, philosophy and contemporary social thought.

First published in 1757, the treatise “A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful”, by the Irish philosopher Edmund Burke, provides a distinct transition from Neoclassicism to Romanticism. Burke’s treatise was the first fully realized exposition that separated the definition of the sublime from the beautiful. His work received much attention from other philosophers upon its publication and influenced thinkers such as Denis Diderot and Immanuel Kant. Burke argues that beautiful is defined as that which is well-formed and aesthetically pleasing and sublime as that which has the power to compel or destroy mankind. Within this text, Burke also posits that the origin of these ideas comes by way of their causal structures, utilizing Aristotelian concepts to fully explore his ideas. He is original in conceiving of beauty outside of its traditional bases and in seeing the sublime as having an entirely separate causal structure, which he outlines in depth. In putting the beautiful and the sublime in their own rational categories, Burke’s treatise displays the expansive thinking unique to the turbulent times in which he lived.